Santiago Calatrava, Cross section of Brise Soleil addition to Quadracci Pavilion, Milwaukee Art Museum, Milwaukee, Wisconsin, 1995
Watercolor and graphite on paper, 9 x 12 in. (22.9 x 30.5 cm)
SCALA017
Santiago Calatrava, Cross section of Parking Structure, Milwaukee Art Museum, Milwaukee, Wisconsin, 1995
Watercolor and graphite on paper, 9 x 12 in. (22.9 x 30.5 cm)
SCALA016
Santiago Calatrava, Exterior view of the Reiman Bridge, Milwaukee Art Museum, Milwaukee, Wisconsin, 1995
Watercolor and graphite on paper, 9 x 12 in. (22.9 x 30.5 cm)
SCALA014
Santiago Calatrava, Plan View of the Milwaukee Art Museum, Milwaukee, Wisconsin, 1995
Watercolor and graphite on paper, 9 x 12 in. (22.9 x 30.5 cm)
SCALA018
Frank Gehry, Preliminary Sketch 2 for Peter B. Lewis Building, Weatherhead School of Management, Case Western Reserve University, Cleveland, Ohio, 1997
Ink on paper, 9 x 12 in. (22.9 x 30.5 cm)
FG018
Frank Gehry, Preliminary Sketch for Peter B. Lewis Building, Weatherhead School of Management, Case Western Reserve University, Cleveland, Ohio, 1997
Ink on paper, 9 x 12 in. (22.9 x 30.5 cm)
FG017
Erich Mendelsohn, Atomic Energy Building, UC Bekeley, Plan and Perspective Study, 1952
Pencil on transparent sketching paper, 13 3/4 x 11 3/4 in. (35 x 30 cm)
(Illustrated as Plate 8 in Erich Mendelsohn: Sketching a Vision for Architecture)
EMEN012
Erich Mendelsohn, Atomic Energy Building, UC Berkeley, Initial Sketches, 1952
Pencil on note paper, 7 1/8 x 4 7/8 in. (18 x 12.5 cm)
(Illustrated as Plate1 in Erich Mendelsohn: Sketching a Vision for Architecture)
EMEN020
Erich Mendelsohn, Atomic Energy Building, UC Berkeley, Initial Sketches, 1952
Pencil on note paper, 7 1/8 x 4 7/8 in. (18 x 12.5 cm)
(Illustrated as Plate 2 in Erich Mendelsohn: Sketching a Vision for Architecture)
EMEN021
Erich Mendelsohn, Atomic Energy Building, UC Berkeley, Perspective Study, 1952
Pencil on transparent sketching paper, 11 x 11 3/4 in. (28 x 30 cm)
(Illustrated as Plate13 in Erich Mendelsohn: Sketching a Vision for Architecture)
EMEN018
Erich Mendelsohn, Atomic Energy Building, UC Berkeley, Plan, Elevation and Perspective, 1952
Pencil on transparent sketching paper, 12 1/4 x 11 3/4 in. (31 x 30 cm)
(Illustrated as Plate 5 in Erich Mendelsohn: Sketching a Vision for Architecture)
EMEN009
Lebbeus Woods, Star House, 1997
Styrene plastic welded with resin and pigment, 11 x 18 x 17 in. (27.9 x 45.7 x 43.2 cm)
Structures designed for an abandoned waterfront site on San Francisco Bay which use the energy released by the earthquake to 'transform themselves'
LW036
Lebbeus Woods, Fault House, 1995
Graphite, prismacolor pencil drawing mounted on wood panel with wire and wood attachments, 14 1/2 x 23 x 1 in. (36.8 x 58.4 x 2.5 cm)
Structures designed for an abandoned waterfront site on San Francisco Bay which use the energy released by the earthquake to 'transform themselves'
LW032
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Lebbeus Woods, Shard House, 1995
Graphite, prismacolor pencil drawing mounted on wood panel with wire and wood attachments, 14 1/2 x 23 x 1 in. (36.8 x 58.4 x 2.5 cm)
Structures designed for an abandoned waterfront site on San Francisco Bay which use the energy released by the earthquake to 'transform themselves'
LW033
•
Lebbeus Woods, Slip House, 1995
Graphite, prismacolor pencil drawing mounted on wood panel with wire and wood attachments, 14 1/2 x 23 x 1 in. (36.8 x 58.4 x 2.5 cm)
Structures designed for an abandoned waterfront site on San Francisco Bay which use the energy released by the earthquake to 'transform themselves'
LW035
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Lebbeus Woods, Wave House, 1995
Graphite, prismacolor pencil drawing mounted on wood panel with wire and wood attachments, 14 1/2 x 23 x 1 in. (36.8 x 58.4 x 2.5 cm)
Structures designed for an abandoned waterfront site on San Francisco Bay which use the energy released by the earthquake to 'transform themselves'
LW034
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