George Legrady is part of a team of artists awarded a commission to create a new interactive installation for the 2015 Bogotá International Book Fair, premiering on April 22nd in Bogotá, Columbia. The project, Imagining Macondo, honors the work of Gabriel Garcia Marquez, and is developed in collaboration with Angus Forbes and Andres Burbano.

Ruth Pastine: PRESENT TENSE at the Carnegie Art Museum, March 15 - May 24, 2015.

This exhibition shares the artist's latest advances in showing perceptual interactions of color and light. Ruth Pastine's work is noted for creating an optically sublime experience of ethereal light in an indefinable space.

On Saturday, March 14, 2015, Laurie Frick and a panel of othe rexperts will discuss everything "From Digital Sharecropping to Data Emancipation" at SXSW. 

February 23 - April 18, 2015

In the late 1960s and early 1970s American landscape architect Lawrence Halprin and avant-garde dance pioneer Anna Halprin organized a series of experimental, cross-disciplinary workshops in Northern California. The workshops brought together dancers, architects, environmental designers, and artists in a process designed to facilitate collaboration and group creativity through new approaches to environmental awareness. The Halprin Workshops, 1966–1971 presents original photographs, films, drawings, scores, and other documentation of three workshops: Experiments in Environment, 1966; Community, 1968; and Leadership Training, 1971.

Adam Berg's solo show at Pio Monti in rome explores intersections of nature and humanity in our increasingly global culture. 

Artist Laurie Frick has officially launched a preview of her app - Frickbits. Modeled after her watercolor pattern portraits, the Frickbits app takes data collected by your cellphones sensors and turns them into personalized works of art. The app will be available for download very soon, stay tuned! 

Lynn Aldrich is a recipeient of the 2014 John Simon Guggenheim Memorial Foundation Fellowship. 

Silent Faces/Ankor: Mary Heebner

February 5 - May 23, 2014. at Wesleyan University in Middletown, Connecticut. 

ADAM SILVERMAN      Clay and Space
October 27 through January 14, 2014

Adam Silverman: Clay and Space will form part of the museum’s upcoming Art & Nature event, a multidisciplinary celebration of art’s engagement with the natural world, which is scheduled for November 7- 10, 2013 and is generously supported by the Draper Family Foundation Fund and an anonymous donor.

http://lagunaartmuseum.org/adam-silverman-2/

Ruth Pastine Attraction: 1993-2013 at Lancaster Museum of Art and History (MOAH), January 18 - March 16, 2014

Curated by Andi Campognone, Pastine's survey show at MOAH featured pivotal paintings and pastel works on paper from the past two decades and was accompanied by an exhibition catalog with essays by Donald Kuspit and Peter Frank and an appreciation by DeWain Valentine.  The 84 page color monograph may be previewed and ordered online by clicking here. 

Laurie Frick: Walking, Eating, Sleeping
September 10, 2013 through January 3, 2014
Artist Talk: October 13, 2013 | 11:30am – 12:30pm

The artwork of Laurie Frick explores the intersection of technology and creativity as the artist herself adopts a daily regimen of self-tracking that measures her activities and body. In doing so, she shapes a vocabulary of pattern used to construct her intricately hand-built works and installations. Her quantifiable patterns, like her heart rate, the duration of her sleep or body weight are some of the metrics that inspire her colourful and complex works. 

http://www.marfacontemporary.org/exhibits

Lynn Aldrich: Un/Common Objects
October 11, 2013 through January 19 2014
Opening Reception: Thursday, October 17^th, 7-9pm

Transforming the known into something curious and unexpected, Los Angeles-based artist Lynn Aldrich offers a critical consumerist spin on the assemblage tradition, on view at Art Center College of Design’s Alyce de Roulet Williamson Gallery.

http://www2.artcenter.edu/designoffice/aldrich/

We are pleased to announce the release of ADAM SILVERMAN Ceramics, a Skira Rizzoli Publication. With an introduction by Shepard Fairey, this gem-like volume showcases Silverman’s astounding work and pottery techniques through the stunning photos by Stefano Massei and Katrina Dickson. A beautiful and informative overview of his work with insightful text contributions by Brooke Hodge, Lisa Gabrielle Mark, Julie Lazar, and Kulapat Yantrasast.

Published 2013 in hard cover and dust jacket with 192 pages. Available for $60.00. 

With an introduction by Marieke Trielhard, this catalog presents a new sequence of the oil pastel drawings by Toronto based artist Cathy Daley. Graphic and yet lyrical, the artist’s imagery draws from a repertoire of popular culture, fashion, fantasy, memory, and dream, and explores the kinesics of the dress – a looming presence in our shared cultural imaginary. Published 2013 in soft cover with fifty-nine pages.  Available for $35.00.

Featuring an essay by noted art historian Bruce Robertson, Mary Heebner: The Venus Paintings showcases Heebner’s newest body of work in fifty-six full color pages. Each of Heebner’s new lush large-format collages are exquisitely depicted, including detail images that bring to life the  full textural depth of these enticing works. Her unique collage painting technique layered with antique feminine imagery is at once contemporary and richly historical. Published 2013 in soft cover with fifty- six pages. Available for $20.00

To accompany Aldirch’s Art Center College of Design exhibition, we are pleased to announce the publication of Lynn Aldrich: Un/Common Objects. This catalogue features an introduction by Art Center’s Williamson Gallery Director Stephen Nowlin, and essays by G. James Daichendt, Christina Valentine, and Howard N Fox. Also included are full color images of the retrospective installation at Art Center College. Published 2012 in soft cover with one hundred and eleven pages. Available for $20.00

With an introduction by Edward Cella, this catalogue presents, Counterpoint, a new series of pastel works on paper by Ruth Pastine. In marked departure for the artist in terms of media and technique, the new sequence of drawings conveys a renewed sense of immediacy and expanded polychromatic range.  Published 2012 in soft cover with fifty-nine pages.  Available for $35.00.

This sumptuous linen bound volume with hundreds of color illustrations documents the creation of PLANEfurniture and presents a essay by Michael Boyd, the designer and principal of BoydDesign, along with photographs, drawings, and sketches of furniture designs that led to the inception of innovative furniture collection.  Featuring commentary by architect, Mark Lee of Johnston/MarkLee Architects; urban and architectural historian, Thomas S. Hines; and an essay by renowned design critic and writer, Michael Webb; the distinguished publication was designed by Michael Hodgson, of Ph.D A Design Office. 

Published 2012 in hard cover and dust jacket with 116 pages in an edition of 1000. Available for $75.00.

With an insightful introductory essay by noted critic and art historian, Abigail Solomon-Godeau, this catalogue presents, Refraction, a series by George Legrady.  The project includes eight black and white compositions, each constructed of three photographs interlaced together with a lenticular process.  Legrady creates a suite of works in which the viewer’s movement alters the narrative potential of the image. Published 2011 in soft cover. Available for $30.00.

With an introductory essay by Jo Lauria, independent art curator and writer based in Los Angeles, this catalogue captures the astonishing installations of Brad Miller’s body of work. Porcelain sculptures, burned wood panels inscribed with bisymmetric forms, and carved clay vessels evoke the cellular patterns that are the very genesis of life. 
Published 2011 in soft cover with forty-three pages. Available for $35.00.

Hybrid Variations marks a significant advancement of Lang’s quest to remove painting from composition and image making and liberate the artist’s activity to elemental mark making and process. This project represents the artist’s most comprehensive vision for a new palette of materials incorporating oil monotype with a progressive stratum of hand applied vinyl acrylic and oil paints on paper. The catalogue features an introductory acknowledgement by gallerist, Edward Cella, and a wonderful essay by Meg Linton, Director of the Ben Maltz Gallery and Public Programs Otis College of Art and Design in Los Angeles.

Published  2008 in soft cover in an edition of 1000. Available for $35.00.